Last night I went to the final Tap workshop as part of Morley College’s ‘Summer Shorts’…Improvisation and Choreography. There were less people than last week, but still plenty of us there for the 2 hour workshop.
We warmed up in a circle, then we went round the circle (like last week) and had to fill 4 bars with something using heels & toes only… ARGH! We did this a few times, and then we did some exercises in rows facing the mirror, such as playing with crawls, we refreshed our memories on some steps, did some call and response (i.e. respond to the teacher’s combination with something different, but to the same beat) and made up our own time step. We also made up some of our own choreography in pairs, and did some improvisation in smaller groups where one person danced in the middle and then signalled to someone that they were going to swap with them.
It was so much fun! But it was also kind of scary to come up with something on the spot when the spotlight is on you. I think it got easier as the time went on, but there is always that feeling of butterflies when you know you’re next! Everyone was in the same boat and really supportive of each other, and our teacher is very encouraging. I have done improvisation before in other styles of dance, but trying to make my feet do what I wanted them to do was another story! I’d love to drop into the splits and slide back up to standing like the Nicholas Brothers, or Prince, but it ain’t happening.
Great tips I picked up for improvisation:
Don’t plan ahead
Steal steps from other people!
Keep it simple
One I would add for me is to repetitively practice steps over the summer using your new tap board! We are DEFINITELY going to be moving to a house over the next few months (YAY!) so I will be able to utilise this resource more fully LOL.
Side note: I have been suffering a bit the last few weeks with tender Achilles tendons, but I didn’t want to miss this class, having missed three weeks of the last term of classes. I am wondering if my Achilles tendons are inflamed from over-use, plus I’ve had swollen ankles from the humid heat, which has thankfully cooled. I will rest after this…I promise (Rest, Ice, Compression, Elevation)! I have one more summer workshop coming up – the Adult Summer Intensive at Rambert, Waterloo, which one of my Tap friends might be joining me at. I need to see how I go. Might have to wear ankle supports.
So my tap board arrived yesterday while I was at work, and I didn’t know about it until I got home from the Shim Sham workshop! I ripped the box open like a child at Christmas! Then the cat commandeered the bubble wrap.
It’s a lovely wooden board, heavy but portable. Might be too heavy to take in the car to Cornwall with suitcases and the Nutribullet… The bottom is mounted with stoppers so it is elevated off the ground and it won’t slip around when pounding it. I tried it with my Bloch Sync MEGA tap shoes, but they are bit too loud and I currently live in a flat, (aka apartment for USA friends!), so I might use it with my cheaper shoes that I have at work as spares that are much quieter, or even just some hard soled lace-ups.
I am really pleased with this purchase and it came really quickly, considering I only ordered it last week. Now, time to stop spending!
Last night I went to the Tap Shim Sham workshop at Morley College. It was SO MUCH FUN! It was a much larger class due to there being people from levels 1, 2 and 3 present. I knew a lot of them, but not the level three-ers. Caught up with a few pals to explain my 3 week absence!
So what is the Shim Sham? It’s a simple routine that is known by tap dancers the world over, like the tap national anthem. It was developed by tap legends Leonard Reed and Willy Bryant back in the 1920s while touring the African American version of the Vaudeville circuit (TOBA).
Here is a clip of Gregory Hines doing the Shim Sham:
We started with a warm up and stretch in a circle and then, working in 3 rows we started learning the steps, all done in a swing beat. We rotated rows just so that everyone got a chance to work in front of the mirror. For some reason my left ankle was hurting when I tried to shake it out, but it seem didn’t bother me while dancing. We learnt the dance to a slower track and then a fast one which was amazing!
We also did a short improvisation exercise back in a circle where every time there was a pause the next person in the circle had to fill 4 beats. Argh, scary when you know you’re next! This then fed back into the dance when we were free to improvise in the gaps. Several people did lots of taps when it was their turn, particularly the advanced people. I kept it simple with a cramp roll and three crawl beats but threw my whole body into it. This exercise plus the book I’m reading (TheGreatestTapDanceStars & theirStories1900–1955) has actually made me realise that it’s ok to have my own style and it’s not necessarily about hundreds of intricate taps but feeling the music, working within the rhythm and doing your thing!
Afterwards there was lots of chat about who’s coming next week, what are you doing in the Autumn, the Dorrance Dance and Old Kent Road workshops that some people attended on Sunday and Monday plus the Dorrance Dance show that’s currently on at Sadlers Wells. My teacher said I’d really enjoy it, but I really can’t fit it in this week or justify going to the theatre 4 times in the space of 4 weeks (2 performances were featuring relatives or people I know) 😩 I told my teacher that I did see 42nd Street a few weeks ago and she was saying how that style of tap is not necessarily as technical…
Got home at 9.30pm and my Tap Board had arrived!!! I have Thursday off work, so I can get stuck in 😊 Maybe I can prepare for next week’s two hour Improvisation & Composition workshop…
I’m so excited – this weekend I ordered a portable tap practice board! I actually had two expensive purchase options in mind, some new Bloch tap shoes by Chloe & Maud Arnold of the Syncopated Ladies (I was fortunate enough to take part in an Afro Funk workshop taught by Maud last year) or a tap board, which are about the same price. Then I thought about it and came to the conclusion that I already have some pretty good tap shoes (Bloch Tap Sync plus the Jason Samuels Smiths in white), but my real frustration has been not being able to practice at home in my tap shoes because I will ruin the floor (I also have a neighbour below, but he works unsociable hours so thankfully is never home in the evenings). I will let you know how I get on with it when it arrives.
On another note, I am going to start going to gentle yoga on a Friday evening at my local leisure centre. I actually used to go to that class with my SO a few years ago, but we got out of the habit. He runs for an athletics club and has recently started doing pole vault. I dance, but don’t do nearly enough stretching at the moment. We were chatting about it last night and then you wouldn’t believe it…while walking around town this afternoon, we bumped into the teacher! A sign?! So we sorted out our free drop-in loyalty cards and booked in.
I’m really looking forward to it. That particular class had mainly older members, so it was way more relaxed than the one I tried at London South Bank University, which was like an hour’s push-up class :$ It will be a nice way to unwind at the end of the week and hopefully will help with a bit of the stress I’ve been under.
How do you cross train or stay flexible? Do you find yoga or Pilates helpful?
Ever since I decided to throw myself 110% into Tap Dancing, I have found that it has affected my knees a bit, depending on what exercises we’ve been doing. The culprits for me have been things like shunts and stomps. I’ve been dancing fine, but then hobbling around like an old lady at the weekends. I did start to wonder if this was just part of starting Tap in your thirties, but after doing a bit of reading around, I realise it is probably more a case of needing to strengthen the muscles that actually hold the knee in place. I have to say it has helped a lot after just a week!
My top exercises for dodgy dance knees:
Demi-pliés – in 1st, 2nd and 3rd positions
Sitting on the floor and raising each leg alternately to strengthen the quads
Leg raises while lying on your front to strengthen the hams
So basically a mini ballet class! I just used a chair (as my purple foldaway ballet barre is currently in storage). It also helps to stretch the quads and hamstrings on a daily basis.
Tonight we were back to Rhythm Tap level 1 and 2 classes! As usual it felt a bit alien after a week’s break, but I got back into the swing of things pretty quickly. I find it’s best to just calm down and enjoy it… Especially the 1930s jazzzzz…
Both classes were quite large as is usually the case, but it didn’t feel like a hindrance this time as people spaced out quite well. It was great to see faces who had returned, including R and K!
One highlight of the week was learning the six beat riff, yes, SIX beats! It was very exciting! The other was a new time step that I feel I recognise maybe from watching tap dance in the past.
I have to say I found the routines quite challenging, and a few of us agreed about this at the end and decided that our teacher does it to gauge what students are capable of. A couple of people had just done their first double class (ie the addition of level 2) and were reassured when I (apparently a veteran!) said I found the routines really hard this time. And when they spoke to our teacher before that, I heard her say she is going to challenge us and not give us things we can already do! It’s true – that’s how you get better.
This week is half term, so there are no tap classes this week. I am actually glad of the break because I have barely gone a week without tapping recently, and my knee was bothering me a bit over the weekend. I’ve also had a bit of plantar fascia twinge recently, so instead of schlepping about at home barefoot or in slippers, I’ve been trying to wear my (not) Birkenstocks because they give excellent arch support.
Speaking of the weekend, there were LOADS of dance wear sales on, and I got some very tempting emails from Pineapple, Dance Direct and Bloch. However, I resisted!
I spent my money on something else instead…tickets to see 42nd Street in the West End! I’m going with a dance friend on the 22nd June after work…can’t wait!